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Traditional Occupations

Handcraft Tradition

Carpenters transform wood into traditional musical instruments, such as the lyre and the lute.

Vori, Zaros, Rethymnon, Neapolis and Kritsa are places famous for their long tradition in the manufacture and development of such instruments. Cobblers in major cities and villages such as Anogia, make the traditional stivania, the resistant Cretan leather boots. Knife manufacturers in Chania and Heraklion convert steel into the famous Cretan knife, the inseparable companion of each Cretan. Engraved depictions and poems adorn the blades.

In the mountainous villages of Mylopotamos, Anogeia, Zoniana, Livadia and in the rest of the prefecture, traditional weaving, knitting and embroidery are the basic hobby of the women in their free time. The techniques are handed down from mother to daughter. Traditional materials are used in weaving, such as wool, cotton, linen and silk. The women produce the thread themselves and weave it in the loom. Even today they often dye the textiles with natural colours made from plants and white flowers of the Cretan earth. Women’s cooperatives in all major villages still weave on the loom, reminding of the just as they used to do in Minoan times. Sariki, the Cretan head scarf with fringes resembling tears, symbolizes lamentation for the hardships Crete experienced in the past centuries. The black sariki is worn as a sign of mourning, while the white sariki is worn as a sign of joy during weddings, feasts, births and christenings.

All the above aspects of folk culture were bread-winning and home handicraft gave women the opportunity to decorate their homes and make clothes for the members of their families. Therefore, weaving, embroidery and knitting were, and to some degree still are, the basic occupations of women in the villages.

Another kind of folk art which is relevant to home handcraft is the use of straw to make objects of everyday use like baskets, panniers etc. Objects of folk art can be seen today in the homes of the local people or in folk museums, where older objects are kept.


One area of craftsmanship in which Crete has a long tradition as well as a richly thriving modern output is folk weaving and the art of embroidery. The ‘xobliasta’ and ‘ploumista’ fabrics (incorporating intricate brightly coloured geometric patterns) are woven in Crete using wool, flax, cotton and silk on the traditional looms that can be found in many homes in the mountain villages. Apart from various geometric shapes, the decorative motifs incorporate images borrowed from nature, as well as everyday human activities. Woolen rugs (kilimia), ‘patanies’, the colourful bags and backpacks (‘vourgies’), cotton and linen sheets, towels, silk dresses and other items of clothing are among the most common items produced by Cretan weavers. Cretan embroidery is famous for its colorful depictions both of nature and scenes from everyday life, as well as for the motifs borrowed from the Minoan and Byzantine traditions of the island.

The embroidery and fabrics are often accompanied by knitted lace in a wide variety of wonderful designs and motifs. The important textile weaving centres were the Sfakian villages of Anogia, Krousonas and Zaros on the Psiloritis; Kritsa and Viannos on Mount Dikti, and the mountain villages of Sitia.

Although today the art of weaving has become significantly less common in mountainous areas of the Psiloritis (Krousonas, Gergeri, Zaros) and Dikti (Viannos), women, usually the older generation, still continue to create the unique Cretan fabrics in the time-honoured fashion. In the mountain villages of Mylopotamos, Anogia, Zoniana and Livadia, and also all over the Rethymno area, traditional weaving, embroidery and knitting is thriving. They constitute important pastimes, and can provide a supplementary source of occupation for women. The techniques are handed down from mother to daughter during the preparation of the ‘proika’ (dowry), that is, all of the clothing and linens that the bride takes with her when she leaves her family home.


In tandem with the art of weaving, women in earlier times themselves processed and dyed the necessary raw materials, such as flax, wool and silk, using vegetable or animal-based dyes in the centuries-old tradition. During the Minoan era and after, porfyra from seashells was used to create purple and red dye. Red colouring could also be derived from kermes (or ‘prinokouki’) insects that feed on the foliage of holm, oak and cedar trees, and also seaweed and madder. Willow leaves and daffodils, crocus, pomegranate skin, and the ‘agkoutsia’ bush native to Crete were used for yellow. Walnut shells and leaves, and plane tree leaves gave the colour brown. The leaves of almond and pomegranate trees and the bush ‘akoniza’ (Inula Viscosa) were used for green. The plant Indigofera tinctoria gives true indigo blue, soot was used for black, and rust could be used for brown.


As is evident from ancient findings, the ceramic arts have a centuries-long history. Uniquely elegant and expertly crafted ceramic jars are decorated with scenes from nature, clearly demonstrating the artistic skill of the Minoans. This ancient art has survived and developed over time, and today in various places, such as Thrapsano (Heraklion), craftsmen follow the tradition of their ancestors, creating useful decorative objects of particular value.

In earlier days, potteries flourished in Lassithi, preparing the various items of everyday use, including storage vessels. At Kentri today the art of pottery making continues in a similar manner to that of the Minoans.

Indeed, certain techniques are traditionally practiced by whole villages, such as the village Noulismeni (Lasithi) thereby providing substantial support to their local economies. In the village Margarites in Milopotamos, pottery is the main occupation of many inhabitants, who produce items for everyday use as well as traditional decorative objects.

The village of Alfa, for example, has a stonecutting tradition, due to a plentiful supply of stunning off-white, relatively soft stone mined in the area for construction, which is mainly for creation of decorative architectural elements.


More recent is the history of woodcarving, which developed primarily during the Byzantine period, the most important items being religious objects, such as shrines, church iconostases, candlesticks, as well as furniture and other household items. Even today in many areas, local craftsmen create traditional carved wooden objects.

The tradition is still alive today in Lassithi. There are many aspects to popular culture, which is expressed through the works and practices of its people. Carving, the art of representing particular shapes and scenes on wood, leaves behind it a significant legacy to future generations. Professional wood carvers continue to preserve this rare art, passing the secrets and techniques of their profession from generation to generation.


These intricately designed breads are an essential gift for best man and maid of honour at weddings and to godfathers on the occasion of a baptism. They are small works of art traditionally created by women at home, and the custom still survives today, especially in the mountain villages. The breads are decorated with embossed symbols from nature, including flowers, birds, snakes and other animals.


One of the oldest crafts of Cretan folk art is basketry, which has been declining in recent years. Using raw materials from nature such as reed, wicker or lentisks, local people created utilitarian objects needed everyday in rural and pastoral life. Basketry continues to flourish as a craft in the village of Mixorouma, near Spili. An ‘affiliated’ sector to basket weaving was ‘kanistroplektiki’, the crafting of panniers for transporting agricultural produce, a very difficult artisanal activity, which still survives in a few areas, most notably the village of Nivritos near Zaros, Gonies in Malevizi, and Myxorrouma near Spili.


The knife is an essential complement to the Cretan traditional costume. The Cretan knife consists of a steel blade, on which traditional rhyming couplets (Cretan ‘matinada’) are often engraved. The handle is covered in animal horn and often decorated with various motifs, and the knives have a simple wooden scabbard. However, silver scabbards with decorative designs were used for formal costumes. The knife-making industry flourished in the past. An entire district of Heraklion was host to knife-making workshops at one time.


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